Mark Klatt Classical Composer

Fantasy Worlds   Within my composed orchestral notations repertoire there exist 4 categories. Teenage, handwritten compositions which were and are unfinished and became later finished as e.g. Piano Concert No. 1 and 2, Violin Concert 1 Serious (often atonal) compositions with sometimes additional experimental style. There the most recognized composition is Interludium for Piano and Orchestra, Piano Concert 3 & 6, Symphony No. 2 and 3. Compositions which are between harmonic and atonal as e.g. Piano Concert 4 & 5 and the Violin Concerts 2 & 3, Opera Introduction Garden of Freedom And finally the spherical / mythological compositions which have the most impact to the listeners of my classical music. Here especially Violin Concert No. 4, Symphonic Poem Amorelia, Concerts for Flute or Cello and Orchestra, religious works etc.. Sample video with some spherical / mythological compositions:  If you like these samples feel free to call your local orchestras for a prem...

Usually a creator, especially at "niche" arts and culture edge shouldn't look about that, what mainstream says, especially not at our "social media" epoch, where low effort too often no, mostly beats hard, academical work. It is, even at non mainstream area interesting, to what the few amount of people have an entrance and where not. Interesting especially there: age, education level, status at society etc. About education there exists, less wonder, the fact that especially people who grew up with classical music or have an education there have an easier entry than people who grew up with Tik Tok, Insta, Trash media education. But, education does not mean university degree - education often is that someone is very interested in the stuff and wants to go in deeper and deeper. One of my first music fans who bought my fresh on the market Audio CD with my first piano concert 2 decades ago was a farmer at Immenstadt / Allgäu region. He himself plays a classical instr...

You wonder about this headline? If you go in a scientific discussion maybe you will come to the same result with the following essay. You can call it a hidden totalitarian system, hidden fascism etc.. equal. What is coming out, is the same result as happened at Nazi Germany. Discrimination and annihilation of culture and arts and on this way a crime against international rules by UNESCO about artistic freedom. At Nazi Germany artists had to deal with violence, death threat and had to flee or at worst case died at concentration camps. The intention of the society there was to annihilate the artwork and the artists life to reach the goal that it has never existed at this planet. Today you see a different picture, democracy, freedom loving people, staged? democracy and and and. but can you imagine that any kind of book burning is ongoing? Deeply beyond the surface of a hypocritical system full of fraud and hate? You would say yet - NEVER !   Issue 1: And I tell you with up to 4 decade...

High culture and arts are (still) channels to build bridges and common understanding. Even people at countries who have conflicts with other countries have at this sample the exact same culture and arts denominator - therefore  crimes against culture and arts are a crime against the whole world and many people there and a crime against common understanding and finally a peaceful living together - more needed today than few decades ago.  Here a statistic of the past 30 days...                                 Pic: Where has my classical music been listened the past 30 days...   It's time that international attorneys (German speaking area fails completely) at the countries who signed UNESCO rules about  artistic freedom finally bring consequences to perpetrators and platforms who discriminate and tolerate annihilation attacks against non-political high culture and arts be...

Composing is like writing—there are countless ideas, but not all of them find their way into a finished work. My 8th piano concerto is still in the early stages of its creation and will continue to be developed after much contemplation and experimentation. The initial idea for this concerto dates back to 2013, when I began exploring the potential of two pianos, an organ, and an orchestra. Just as a writer jots down numerous ideas but doesn’t turn all of them into a book, a composer must also decide which concepts to pursue further. The 8th piano concerto serves as an example of how inspiration and creative thinking can flow into musical form. Vid: Study for a Piano Concert for 2 Pianos, Organ and Orchestra. Sample here realized 1:1 with digital orchestras basing on the original notation. This work is not only an experiment with new sound colors and structures but also a tribute to the diversity of voices within an orchestra. The use of two pianos allows for dialogue between t...

Dear listeners of  my classical music, as posted some weeks ago my engagement at Stuttgart is finished, no further piano solo performances with me playing compositions by me will happen there. Instead of that - meet me and my classical music visions at different cities and places in 2026... See you there - All the best - Mark Klatt