Inspiration and composition: A look behind the scenes
Composing is like writing—there are countless ideas, but not all of them find their way into a finished work. My 8th piano concerto is still in the early stages of its creation and will continue to be developed after much contemplation and experimentation. The initial idea for this concerto dates back to 2013, when I began exploring the potential of two pianos, an organ, and an orchestra.
Just as a writer jots down numerous ideas but doesn’t turn all of them into a book, a composer must also decide which concepts to pursue further. The 8th piano concerto serves as an example of how inspiration and creative thinking can flow into musical form.
Vid: Study for a Piano Concert for 2 Pianos, Organ and Orchestra. Sample here realized 1:1 with digital orchestras basing on the original notation.
This work is not only an experiment with new sound colors and structures but also a tribute to the diversity of voices within an orchestra. The use of two pianos allows for dialogue between the instruments, while the organ acts as a central voice that shapes the atmosphere of the piece.
The text accompanying this concerto is further proof of how music and language can go hand in hand. It aims not only to establish an emotional connection but also to give listeners insight into the composition process—from the very first idea to the final note.
Just as a writer jots down numerous ideas but doesn’t turn all of them into a book, a composer must also decide which concepts to pursue further. The 8th piano concerto serves as an example of how inspiration and creative thinking can flow into musical form.
Vid: Study for a Piano Concert for 2 Pianos, Organ and Orchestra. Sample here realized 1:1 with digital orchestras basing on the original notation.
This work is not only an experiment with new sound colors and structures but also a tribute to the diversity of voices within an orchestra. The use of two pianos allows for dialogue between the instruments, while the organ acts as a central voice that shapes the atmosphere of the piece.
The text accompanying this concerto is further proof of how music and language can go hand in hand. It aims not only to establish an emotional connection but also to give listeners insight into the composition process—from the very first idea to the final note.
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